Last edited by Kekasa
Friday, October 9, 2020 | History

3 edition of The Oral performance in Africa found in the catalog.

The Oral performance in Africa

The Oral performance in Africa

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  • 1 Currently reading

Published by Spectrum Books in Ibadan, Nigeria .
Written in English

    Places:
  • Africa
    • Subjects:
    • Oral tradition -- Africa -- Congresses.,
    • Folk literature, African -- Congresses.,
    • Folk music -- Africa -- Congresses.

    • Edition Notes

      Statementedited by Isidore Okpewho.
      ContributionsOkpewho, Isidore., African Literature Conference (6th : 1981 : University of Ibadan)
      Classifications
      LC ClassificationsGR350 .O72 1990
      The Physical Object
      Pagination277 p. :
      Number of Pages277
      ID Numbers
      Open LibraryOL1604729M
      ISBN 109782460095
      LC Control Number91141582
      OCLC/WorldCa22213954

        South Africa has a reading crisis: why, and what can be done about it Reading is largely understood as an oral performance. but no overall improvement in South Africa’s performance.   Oral Literature in Africa is a proper scholarly work with footnotes and references, but non-scholars can read and enjoy it just as much as the serious scholar. If you are interested in anthropology and the literary traditions of a variety of African tribes, you should pick up a copy of Oral Literature in Africa today.

      Audio Books & Poetry Community Audio Computers, Technology and Science Music, Arts & Culture News & Public Affairs Non-English Audio Spirituality & Religion. Librivox Free Audiobook. Andy’s Candies Sports Betting Gurus Edustar Full text of "Oral Literature In Africa".   After decades of outstanding research, for which she was awarded an Order of the British Empire, Oral Literature in Africa remains the book closest to Finnegan’s heart. “It was so frustrating to me that my book has been largely unavailable to readers in Africa,” she by:

      Lightning Source for Open Book Publishers Oral Literature in 4 8/28/12 PM. study of the oral literatures of Africa and of the world Oral Literature in 5 8/28/12 PM. Oral Literature in 6 8/28/12 PM. especially oral performance, literacy, and music-making. Cited by: This study of oral tradition in African literature is borne from the awareness that African verbal arts still survive in works of discerning writers and in the conscious exploration of its tropes, perspectives, philosophy and consciousness, its complementary realism, and ontology, for the delineation of authentic African response to memory, history and other possible comparisons Author: Chin Ce, Charles Smith.


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The Oral performance in Africa Download PDF EPUB FB2

The Oral performance in Africa (Saros Star Series) Paperback – by Isidore Okpewho (Author) See all 3 formats and editions Hide other formats and editions. Price New from Used from Hardcover "Please retry" Author: Isidore Okpewho. Oral Performance in Africa Hardcover – March 1, by Isidore Okpewho (Editor) See all 3 formats and editions Hide other formats and editions.

The Oral performance in Africa. [Isidore Okpewho;] Oral performance in Africa. Ibadan, Nigeria: Spectrum Books, (OCoLC) Material Type: Conference publication: the problem of translation / Gordon Innes (10 p.).

--Towards a faithful record: on transcribing and translating the oral narrative performance / Isidore Okpewho. Audience and occasion.

Implications for the study of oral literature. Oral art as literature. 2 Africa possesses both written and unwritten traditions. The former are relatively well known—at any rate the recent writings in European languages (much work remains to be publicized on earlier Arabic and local written literatures in Africa).Author: Ruth Finnegan.

The Changing Audience of the Oral Performance in Africa: The Ghanaian Experience Manieson, A. Department of English, Central University College, Accra, Ghana Email: [email protected] Mireku-Gyimah, P. Centre for Communication and Entrepreneurship Skills (CENCES) University of Mines.

"Besides being a goldmine for scholars, [Oral Literature in Africa] is a delight for the general reader. Finnegan conveys the richness and joy of the African imagination. The people and animals and spirits of Africa live, laugh, weep and quarrel between the covers of her book."Author: Ruth Finnegan.

The ‘oral’ nature of African unwritten literature Y The significance of performance in actualization, transmission, and composition. Audience and occasion. Implications for the study of oral literature. Oral art as literature.

The perception of African oral literature 29 Nineteenth-century approaches and collections. Speculations and. A valuable book in the genre of African Oral literature is Ruth Finnegan’s Oral Literature in Africa.

Some sections of this book focus on folktales. The scholar examines literary issues which relate to the performance of folktales in traditional Africa. The various categories of African folktales are Size: KB. Performer-Critics in Oral Performance in African Societies.

deA of. erformer-c. riTics. Scholarship in African literature has had to admit the central role that live performance plays in the literary material coming from and focussing on the different parts of Africa. A debate on how oral literature and live performance.

African literature - African literature - Oral traditions and the written word: Oral and written storytelling traditions have had a parallel development, and in many ways they have influenced each other. Ancient Egyptian scribes, early Hausa and Swahili copyists and memorizers, and contemporary writers of popular novellas have been the obvious and crucial transitional figures.

Lightning Source for Open Book Publishers Oral Literature in 4 8/28/12 PM. study of the oral literatures of Africa and of the world Oral Literature in 5 8/28/12 PM. Oral Literature in 6 8/28/12 PM.

especially oral performance, literacy, and music-making. Oral Literature and Performance in Southern Africa, ISBNISBNBrand New, Free shipping in the US This work draws together contributions from literary studies, anthropology, enthnomusicology and African language studies in an analysis of the complex functioning of oral texts and models in differing contexts.

About the author () ISIDORE OKPEWHO, Chair of Afro-American Studies at the State University of New York at Binghamton, is author of The Epic in Africa and Myth in Africa and editor of The Heritage of African Poetry and The Oral Performance in Africa. He has also published two novels, The Victims and The Last Duty.5/5(1).

So much work has been done on African oral literature in the two decades since the publication of Ruth Finnegan's epoch-making and immensely useful Oral Literature in Africa that there is need for a more up-to-date critical introduction such as I have tried to provide in this book.

In addition to the insights I have gained from the extensive fieldwork and analyses undertaken by my. Oral Literature and Performance in Southern Africa Edited by Duncan Brown This book draws together contributions from literary studies, anthropology, ethnomusicology, and African language studies to analyze the complex functioning of oral texts and models in differing contexts.

Get this from a library. Oral literature & performance in southern Africa. [Duncan Brown;] -- "Drawing together contributions from literary studies, anthropology, ethno-musicology and African language studies the book analyses the complex functioning of oral. Oral performance, as generally known, is dependent on the performer and audience.

The audience, until recently, played an active role in traditional oral performances in Africa. This was at a time when the oral performer and the audience held the same belief and cultural system. In whichever way the oralFile Size: KB. Ruth Finnegan's Oral Literature in Africa was first published inand since then has been widely praised as one of the most important books in its field.

Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking /5(5). With her book Oral Literature in Africa, Ruth Finnegan almost single-handedly created the field of ethnography of language.

Now, Finnegan has gathered and updated a selection of her best work on oral literature, performance, and the creative use of language in Africa, along with several new essays that broaden and extend her Oral and Beyond looks.

FROM ORAL PERFORMANCE TO PICTURE BOOKS: A PERSPECTIVE ON ZULU CHILDREN’S LITERATURE by CYNTHIA DAPHNE NTULI submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject AFRICAN LANGUAGES at the UNIVERSITY OF SOUTH AFRICA PROMOTER: DR N.

In The Oral Performance in Africa, ed. I. Okpewho (see above under BOOKS). (ii) Towards a Faithful Record: On Transcribing and Translating the Oral Narrative Performance. In The Oral Performance in Africa (see above under BOOKS).

(iii) The Oral Performer and His Audience: A Case Study of The Ozidi Saga. In The Oral Performance in.The central theme of the book is performance, and students, scholars and readers are provided with projects and exercises intended to keep them involved in research and performance experience of the oral forms.

Teaching and curriculum development suggestions are given to teachers of African oral performances.REGIONAL CONFERENCE ON EDUCATION IN WEST AFRICA DAKAR, SENEGAL 1ST – 2ND NOVEMBER, Causes of low academic performance of primary school pupils in the Shama Sub-Metro of Shama Ahanta East Metropolitan Assembly (SAEMA) in Ghana by Dr.

Kafui Etsey Department of Educational Foundations University of Cape Coast Cape Coast, GhanaFile Size: KB.